Fresh Air on UPR Too

In 1935, George Gershwin brought the script for his folk opera Porgy and Bess to the opera's original cast, which was entirely made up of African-American actors. "[In the original], every other word was N-word this, N-word that," says actor David Alan Grier. "[And] there's a very famous story: Al Jolson really wanted to play Porgy, in blackface."

John Fullbright's voice rises up and around the guitar chords in "Me Wanting You," his tone intended to haunt the person he's addressing. His desire, his "me wanting you," is as direct as he can possibly make it — it's not a cry of despair or hope or lust. It's the sound of someone intent on making as strong a connection with the listener as he possibly can.

Actor and writer Sacha Baron Cohen is famous for taking his characters — Ali G., Borat, Bruno — into the real world, interacting with people who have no idea that they're dealing with a fictional character. But his new movie, The Dictator, is a scripted comedy about a tyrant on the loose in New York.

Interview Highlights

On why he enjoyed playing a dictator

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:

Carlos Fuentes, one of the most influential writers in the Latin American world, died Tuesday at a hospital in Mexico City. He was 83. A prolific writer, Fuentes wrote novels, short stories and plays, as well as political nonfiction and essays that criticized the Mexican government during the 1980s and '90s.

Donna Summer, the queen of disco, died Thursday at her home in Naples, Fla., after a long struggle with cancer. She was 63. Born LaDonna Andrea Gaines, she grew up in a large Boston family singing gospel music and became an icon of a powerful cultural movement, a celebrated sex queen and a staple of gay club life.

Many fans will be disappointed that Sacha Baron Cohen's The Dictator is a more or less conventional comedy and not an ambush-interview mockumentary in the style of Borat and Bruno. But that guerrilla-clown shtick would be tough to sustain: Why not let him try something else? The good news is that The Dictator is loose and slap-happy and full of sharp political barbs and has funny actors moving in and out — and at a lickety-split 83 minutes, it doesn't wear out its welcome.