Michael Douglas and Matt Damon star as Liberace and his young lover, Scott Thorson, in Steven Soderbergh's new HBO biopic Behind the Candelabra.
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Liberace sits at a gold-leafed piano in the living room of his then-new Hollywood mansion in November 1961.
Credit Claudette Barius / HBO
Soderbergh made his name as a director in 1989, with the critically acclaimed Sex, Lies, and Videotape. He's since turned in crowd-pleasing hits like Magic Mike, Erin Brockovich and Ocean's Eleven and its sequels, as well as more adventurous films including Contagion,Solaris and The Girlfriend Experience.
Director Steven Soderbergh had been looking for a way to frame a film about the extravagant entertainer Liberace for years when a friend recommended the book Behind the Candelabra: My Life with Liberace.
The book — a memoir — is by Scott Thorson, who for five years was Liberace's lover, though that wasn't publicly disclosed at the time.
Once vehemently opposed to the idea of being the subject of a documentary, Brooks had a change of heart. The result is a new American Masters episode, Mel Brooks: Make a Noise.
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Comedian, writer, director, producer and actor Mel Brooks is one of only 11 people to have won Emmy, Grammy, Oscar and Tony awards. Others in the elite EGOT club include Mike Nichols and Whoopi Goldberg.
Credit Robert Trachtenberg / WNET/American Masters
Carl Reiner and Brooks teamed up as a comedy duo in 1960, creating such now-legendary skits as "The 2,000-Year-Old Man." "Carl's still my best friend in the world," says Brooks.
Over the 60 years that Mel Brooks has been in the entertainment business, his name has become synonymous with comedy. He is the man who broke Broadway records for most Tony Award wins with The Producers (an adaptation of his own movie); who satirized Westerns and racism in Blazing Saddles; and who poked fun at monster movies with Young Frankenstein.
Singer Sarah Vaughan came up in the 1940s alongside bebop lions Dizzy Gillespie and Charlie Parker, starting out in Earl Hines' big band. Hines had hired her as his singer and deputy pianist, while Gillespie praised her fine ear for chords as she grasped the arcane refinements of bebop harmony.
Fresh Air Weekendhighlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interview with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
It was April 4, 1964, and Jerry Lee Lewis had officially bottomed out. He hadn't charted a record in years, and now, on tour in England and Germany, he was getting paid so little that he couldn't afford to bring his own musicians. Instead, he was forced to use pickup bands in England, and then, when he arrived in Hamburg, a British band called the Nashville Teens was waiting for him. The venue was the Star Club, where The Beatles, who had just leaped into stardom in America, had played not long before.
A couple generations ago, when older Americans retired they could rely on pension plans to support them. Then, in the late 1970s and early 1980s, many companies switched their retirement plans over to 401(k) accounts. The security of workers' retirement savings suddenly became subject to the vagaries of the stock market.
Woody Herman, who would have turned 100 on Thursday, bloomed early and late — and then later still. He turned pro by age 9, singing and dancing in movie theaters on summer vacation. He'd perform one song deemed too risqué for radio when he recorded it decades later: "My Gee Gee From the Fiji Isles."
Before I tell you about J.J. Abrams' second Star Trek film, with its youngish new Starship Enterprise crew, let me say that just because I've seen every episode of the original StarTrek and of The Next Generation, and most of the spinoff series, and every movie, I'm not a Trekkie — meaning someone who goes to conventions or speaks Klingon or greets people with a Vulcan salute.
Sarah Polley earned wide acclaim for directing the drama Away from Her, about a woman fading into the twilight of Alzheimer's, as well as for her acting performances in an array of films including The Sweet Hereafter and My Life Without Me. Her latest film, Stories We Tell,is a documentary, though — and a personal one at that.